A practice of attentive listening while moving — guided walks through urban and natural environments where sound becomes both subject and method.
Soundwalks are a mode of fieldwork and a form of collective attention. Participants move through a site — a river, a street, an overgrown lot — guided by a score: a set of written or drawn instructions that prompt specific acts of listening. The score does not prescribe what to hear but shapes the conditions under which hearing happens.
In our practice, soundwalks function as research tools, performance scores, and community exercises simultaneously. Each walk generates material — field recordings, written responses, embodied memories — that feeds back into other works: books, exhibitions, sound installations, and further scores.
We have organised and participated in soundwalks along the Mur river in Graz, in industrial peripheries, on construction sites, and in forested corridors. The walks are often collaborative, drawing in other artists and practitioners who contribute their own score and their own way of listening.
The score is not a fixed text but a proposition — a temporary reorientation of attention. It can be a single sentence: Walk until the wind changes. Stop. Listen backwards.
Practice since
2023 – ongoing
Locations
River Mur, Graz
Mura Valley, Slovenia / Austria
Various urban sites
Scores
Chloé Ryo
Lain Iwakura
Eva Ursprung
Anton Tkachuk
Anna Jurkiewicz
Reza Kellner
Format
Public walks, 60 – 90 min
Printed scores (A5, risograph)
Six public soundwalks along the Mur river in 2024, each led by a different artist with their own score. The walks became the primary research methodology of the project.
03 Murky VoicesArtist book collecting all six River Becoming soundwalk scores alongside photographs, field recordings, and Anna Jurkiewicz's polyphonic poem. Published Graz, 2025.
01 Voicing PlacesSoundwalk as fieldwork — listening and recording as a way to understand how places are constructed through sound, voice, and memory.